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A photograph is an intermediary between a dream and a memory. The narrative within the authorial claim to intention is disrupted and the image becomes purely subject to language. Which, within a society dominated and saturated with photographs, signs and allegories, each individual image is encountered with authorship voided, an instability described as "...artwork [being] no longer an end point but a simple moment in an infinite chain of contributions."1 This infinite tissue of references informs the individual visually, so as to identify what is set out in front of them and invent a personal narrative, a new dream or simply, a new moment within a new narrative. Living a new life in that image.

Coffinite laced ink on photographic paper. Various sizes. 

 

1Bourriaud N. (2009), Altermodern, Tate Publishing.   

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